I used to hand-set my poems with moveable lead type then hand-print tiny editions on a letterpress. Fortunately, my work has reached a wider audience through the generosity of writers, editors, and publishers. For this I am truly grateful. Thank you.
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
(Select publications where Katrina's work has appeared.)
“When Katrina Rodabaugh gave up ‘convenience in fashion,’ she began what she calls ‘a relationship with commitment’ instead. Circularity, invention, the impulse to create, traditional craft, and modern handwork fuel Katrina’s new book, Make Thrift Mend, indeed”.
—NATALIE CHANIN, The School of Making and Alabama Chanin